Three windows.
Three points of view.
One story.
Live theatre in courtyards and squares. Three scenes happen at the same time: you see them all, but in your headphones you hear just one. Which will you choose?
The one who waits
“Someone got here too early.”
“Did you hear what happened last night?”
“Don’t tell anyone. Promise me.”
“She was here. I swear she was here.”
From here it looks like an expected meeting.
The one who watches
“She wasn’t supposed to be here tonight.”
“Look at his hands. They’re shaking.”
“Keep your voice down. They can hear us.”
“He knows everything. You can see it in his eyes.”
The same arrival now looks like an accident.
The one who knows
“I’m the one who called her.”
“Nobody can know.”
“I still have the keys.”
“Tonight it all ends.”
A third listen changes the scene once more.
The stage is in front of you. The choice is in your headphones.
Actors perform live behind three veiled windows. The scenes run side by side; each window has its own audio channel, and you decide which one to follow.
Watch
Three lit windows, three scenes happening at the same moment in the same place.
Choose
Each window has its own audio channel. You select it on your headphones.
Listen
Follow one voice while the other scenes carry on before your eyes.
Piece it together
Switch channel whenever you like. Another point of view can overturn what you thought you knew.
What you hear changes what you think you see.
Upcoming dates
No dates scheduled right now.
New dates appear here as soon as they are confirmed, with venue, time and tickets.
The city is the stage.
A courtyard, a square, the front of a building: places you know that, for one evening, become a story. Every production is made together with the people, cultural groups and institutions of the place.
- Courtyards
- Squares
- Buildings
- Cultural venues
Stories need more than one pair of eyes.
Writers
Write what happens behind a window.
A story told from several sides means building connections, omissions and reveals between scenes that live in the same moment.
Actors
Give presence to what can only be glimpsed.
The gesture is seen against the light. The voice, in the headphones, becomes intimacy and clue: two languages meeting.
Organisers
Picture the stage in your city.
Working with a place means listening to its people and designing an experience that matters to those who pass through it.